resume
Rebekka Reich + Anne Lorenz

Rebekka Reich

Hamburgo, 1969

Lives and works in Cologne and St. Gallen

Anne Lorenz

Würzburg, Germany, 1971

Lives and works in Zürich

Work exposed in Madrid Abierto
Taxi Madrid

Anne Lorenz

2000
  • Tutor on the MA and BA in Scenography at the Hochschule für Gestaltung und Kunst Zürich
1999
  • MA Scenography at Central Saint Martin's College of Art & Design , London
1997
  • Cambridge Certificate to teach German as a foreign language to adults
1997
  • Continued Studies with Prof. Yuji Takeoka, Hochschule für Künste, Bremen
1994
  • Study at the Edinburgh College of Art - Ba Hons First Class in Sculpture
1993
  • Study at the Sculpture Department of the Escuela Superior de Bellas Artes, Barcelona
1991
  • Study at the Kunstakademie Münster with professor Timm Ulrichs, Fine Art
1990
  • A-Levels at Max-Planck Gymnasium , Delmenhorst
  • Spanish Studies at the Wilhelms-Universität , Münster
1989
  • Participation at Funkkolleg Moderne Kunst, Correspondance Course
Selected solo-, group shows and performances
2004
  • Patterns of Behaviour - id version . Performance / Installation. Theaterhaus Gessnerallee Zürich, Hope & Glory Festival.
  • Patterns of Behaviour – 5 ch version . Performance/ Installation. Tanzhaus Wasserwerk, Zürich.
2003
  • Patterns of Behaviour – red + white version. Performance. Museum für Gestaltung, Zürich.
2002
  • Der Zoobär. Opera in collaboration with Rebekka Reich. Theater an der Sihl, Zürich.
  • Standpunkt. Video/Performance in collaboration with Eva Richterich. Theater Roxy, Basel & Tanzhaus Wasserwerk, Zürich.
  • Gilgamesch . Music theatre in collaboration with Doug Geers. Theater an der Sihl, Zürich.
2000
  • EuroSlide . Performance in collaboration with Cathrina Kahn. Hoxton Hall , London.
  • Pull yourself together. Video. Lethaby Gallery, London.
  • 17.55. Video. Kosmodrom, Luzern
  • 17.55. Video. APT Gallery, Greenwich Film Festival, London.
  • Let's eat Sand. Performance. The Museum Of, London.
1999
  • Euro-Cowboys. Sound/Installation. What Everyone Wants Store, Newcastle.
  • Dream-Space. Installation in collaboration with Marianne Bramsen DFKU, Odense, Denmark.
  • link-slip-link-slip. Sound/Installation. St. Nicholas Church, London as part of Deptford X Festival.
1998
  • Kronen für Bremen. KÖNIG/KÖNIG, Kunsthaus Bremen, Germany
  • Packed Lunch. Installation. Santa Monica's Old School, London.
1997
  • Nunc Stans. Performance. Lumsden, Sculpture-workshop, Aberdeenshire.
  • Intime Austausche in der Zwischenzeit. Galerie Dechanatstrasse, Bremen, D Event
  • summarie . Audio/Installation. Galerie Dechanatstraße, Bremen
  • Kunstreisen/Reisekunst. Installation. Bahnhofsplatz, Bremen
1996
  • A Spider's Tale. Performance/ Installation. Demarco European Art Foundation, Edinburgh
  • Fadenschein . Performance in collaboration with Mirella Weingarten. Edinburgh Festival.
  • Wärmeverwandlung . Event. Edinburgh
  • Lady Vice = Lady Versa. Film/ Installation in collaboration with Mirella Weingarten. Demarco European Art Foundation, Edinburgh
  • 1996 Graduates. Royal Scottish Academy, GB
  • Zwanzigster Tag der Reise. Installation. Kunstverein Ganderkesee, D
1995
  • A Wander at the Icarian Coast. Performance/ Installation. Sculpture Court, Edinburgh, GB
Rebekka Reich
  • Hamburg, 1969
  • Lives and works in Cologne and St. Gallen
2000
  • MA Scenography , Hochschule für Gestaltung und Kunst Zürich (HGKZ)
1999
  • Study Modern Dance (Humphrey/Limón), Improvisation and „Tanztheater“, T.A.N.Z. Braunschweig
1995
  • Architecture, Escuela Técnica Superior de Arquitectura Madrid
1989
  • Study Architecture , Technische Universität Braunschweig Employment
2002
  • Odysee 2002. Stage assistant. Play after Drama by Homer, directed by Helena Waldmann, Luzerner Theater, Luzern
  • Der Auftrag. Drama by Heiner Müller, directed by Stefan Nolte, Theater St. Gallen, St. Gallen
2000
  • Soung. Internship and participation dance. Danceperformance by Sylvia Heyden, Burgplatz OpenAir, Braunschweig
1995
  • Architecture. Victor López Cotelo, Madrid
  • KSP Kraemer, Sieverts & Partner, Braunschweig and Berlin
  • Lindemann & Partner, Braunschweig
  • Teaching experience
2004
  • Lecture Field Work. Scenographical Design, Hochschule für Gestaltung und Kunst Zürich
2003
  • Workshop Scenography. IPP Performance and Media Studies Summerschool, Johannes Gutenberg Universität Mainz
Prices and Grants
2002
  • Kulturstiftung Appenzell Ausserrhoden (project subsidy)
2001
  • Stiftung Lis und Roman Clemens Zürich (research award for stage design)
2000
  • Stiftung Lis und Roman Clemens Zürich (study award)
  • Stiftung für Kunst und Kultur Nordrhein Westfalen (study award for 1 year)
1995
  • Deutscher Akademischer Austauschdienst DAAD (study award for 1 year)
Freelance Projects
2003
  • Set-design: Brundibàr. Opera by. H. Kràsa u. A. Hoffmeister, directed by Barbara Bucher.
  • Concept and realisation: staged citywalk: Stadtspaziergang. As prologue to Peter Handkes ‘The hour we knew nothing of each other', directed by Dodo Deér, Theater St. Gallen, Pico-Pello-Platz, St. Gallen
  • Concept and realisation (choreography/direction): dance-video: Fortschritt. Kulturstiftung Appenzell Ausserrhoden
2002
  • Concept , set-design and costumes (coll. with Anne Lorenz): Der Zoobär. Opera by Jost Meier, directed by Peter Rasky, Theater an der Sihl, Zürich
  • Concept, choreography (coll. with Christina Sutter) and sound: Turntable. Tanzplattform »12 min max«, Tanzhaus Wasserwerk, Zürich
  • Concept and design: swiss pavillon (coll. with Rüdiger Kreiselmayer): Exposure. Expo 2004 St. Dénis-Paris, Präsenz Schweiz, Bern
  • Concept and design: exhibition: Grubenmannsammlung. Kulturkommission, Teufen
  • Concept and design for the new use of a factory building: Zentrum für Bauen und Kultur, Commission of Culture, Teufen
  • Concept and realisation: room-installation: Bücherkubus. Library, Teufen.
  • Concept and realisation: intervention: Roter Pfeil. Library, Teufen
2001
  • Concept and realisation: shortvideo: Nabokov und Schubert verlieren sich in meinem Kopf in Zürich. Studiobühne HGKZ, Zürich
  • Concept, setdesign and costumes (coll. with Anne Lorenz): Chaplin-Ford-Trott. Opera by K.A. Hartmann, directed by Peter Rasky, Theater an der Sihl, Zürich
  • Concept, realisation (coll. with Noël Fischer) and choreography/direction: physical dance theatre: Rosen für Alice...Fr.9,80. Eigenproduktion, Lagerhalle Firma Delux, Zürich
  • Concept and design: exhibition: Das Zündholzmuseum. Konrad-Nef-Stiftung, Teufen
2000
  • Concept and realisation: staged room-installation: Hotel Konrad. Gemeinschaftsproduktion, Studiobühne HGKZ, Zürich