Centro Cultural Matucana, Santiago de Chile, Chile
Santiago Sierra, New Works, Lisson Gallery, London, UK. www.santiago-sierra.com 200709_1024.htm" 21 Anthropometric modules made from human faeces by the people of SULABH international, India. Nueva Delhi/Jaipur, India, 2005/2006
1549 Crimenes de Estado. Antiguo Edificio de la Secretaría de Relaciones Exteriores de la Plaza de las Tres Culturas, Tlatelolco, Mexico City
Himnos, Cabildo de Montevideo, Montevideo, Uruguay
Proyecto Caracas. Santiago Sierra, Sala Mendoza, Caracas, Venezuela
Concierto para Planta Eléctrica a Diésel, Salon Experimental de la Fundación Chacao, Caracas, Venezuela
Submission, "Proyecto Juárez", México City, México
Santiago Sierra, Prometeogallery, Milan, Italy
2006
Illumination of the space between two plains, Contemporary Art Center of Malaga-CAC, Málaga, Spain
The Punished. Landgericht Frankfurt, Gerichtsstrasse 2, Kleinmarkthalle, Hasengasse 5-7, U-Bahn Hauptwache, S-Bahnzugang Hbhf, Deutsche Bibliothek, Adickesallee 1, Stadtbücherei, Zeil 17, Senckenberg Museum, Senckenberganlage 25, J-W.- Goethe Universität, Hauptgebäude, Senckenberganlage 31, Fine Arte Fair, Messe Frankfurt Halle 9, Frankfurt, Germany
Jewels collection. Designed by Chus Bures, Madrid, Spain
89 Huichols, San Andrés Jalisco, Jalisco, México
2005
102 Beggears, Plaza del Estudiante, 20, Mexico D.F.
396 Women & The Corridor in the House of the People & Psychophony recordered in the house of the people, House of the People, Bucharest, Romania
House in Mud, kestnergesellschaft, Hannover, Germany, Maschsee-Projekt
One person, Galleria Civica di Arte Contemporanea, Trento, Italy
The visit, Colonia Polanco, Mexico City, Mexico/Daimler Chrysler-Mercedes Benz factory, Bremen, Germany
Position Exanche for two dinstict, 30 metre volumes of earth, Demilitarized Area Between North and South Korea
Loudspeakers, Entrance to the Arsenale, Venice
2004
Museum Dhondt-Dhaenens, Belgium
100 Constructions with 10 Modules and 10 Workers, Peter Kilchmann Gallery, Zurich
Kunsthaus Bregenz, Bregenz
CAC Centre d'Art Contemporain de Brétigny, Paris
2003
Outdoor project, Galerie Helga de Alvear, Madrid
The Spanish Pavillion at the Bienale di Venezia Venice
2002
Hiring and Arrangement of 30 Workers in Relation to their Skin Color, Kunsthalle Wien, Vienna
Space closed by corrugated metal, Part 1: Sept. 10 - Oct. 10 and Group of people facing a wall, Person facing into a corner, Part 2: Lisson Gallery, London
3000 digs of 180 x 70 x 70 cm each, Fundación NMAC, Montenmedio, Cádiz, Spain
Nine forms of 100 x 100 x 600 cm each, constructed to be supported perpendicular to a wall, Deitch PROJECTS, New York, USA
Spraying of Polyurethane over 18 People, Claudio Poleschi Arte Contemporanea, Lucca, Italy
The History of the Foksal Gallery Taught to an Unemployed Ukrainian, FOKSAL Gallery Foundation, Warsaw
11 People paid to learn a phrase, Project Room, ARCO'02, Madrid, Galerie Peter Kilchmann
Person saying a Phrase, IKON Gallery, Birmingham
Two Maraca Players, Enrique Guerrero Gallery, Mexico City
2001
430 people paid 7 1/2 Soles ($ 1/2) per hour, Pancho Fierro Gallery, Lima, Peru
Sit-In by twenty workers in the hold of a boat, Barcelona, Spain
Banner held outside the entrance to an artfair, Art Unlimited Basel, Peter Kilchmann Gallery
Object measuring 600 x 57 x 52 cm constructed to be held horizontally to a wall, Peter Kilchmann Gallery Zurich
2000
Six People who cannot be remunerated for the Staying in the interior of Cardboard Boxes, Kunstwerke, Berlin
Person Remunerated for a Period of 360 Consecutive Hours, P.S.1, Long Island City, New York, USA
12 Remunerated Workers, Ace Gallery New York, USA
Public transported between two points of Guatemala City, Bella de Vico Arte Contemporaneo
1999
Line of 250 cm tattooed over six paid persons, Espacio Aglutinador, Havana, Cuba
465 Remunerated People, Gallery Seven, Mexico City, Mexico
24 Concrete Blocks moved continuously during one working period by ten remunerated workers, Ace Gallery Los Angeles, USA
GROUP EXHIBITIONS (SELECTED)
2007
Plataforma Puebla 2006. Curators: Príamo Lozada & Bárbara Perea
2005
51st Venice Biennale
2004
Arrangement of Twelve Prefabricated Parapets, Herzliya Museum of Art, Israel
Sao Paulo Biennale, Sao Paulo, Brasile
Liverpool Biennale, UK
"Soziale Kreaturen", Wie Körper Kunst wird, Sprengel Museum Hannover, Hannover
"El real viaje real", Museo Patio Herreriano, Valladolid, Spain
2003
"El real viaje real", PS1, Long Island City, New York, USA
"fast forward", Media Art/Sammlung götz, ZKM Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany
"Stretch", Powerplant Contemporary Art Gallery, Toronto, Canada
"Hardcore", Palais de Tokyo, Paris, France
"Witness - Contemporary Artists document our Time", Barbican Art, Barbican Center, London, UK
"Mexico Attacks", Associazione per L'Arte Contemporanea Prometeo, Lucca, Italy. Herzliy Museum of Art, Herzliya, Israel
"M ARS - Art and War", Neue Galerie Graz am Landesmuseum Joanneum, Austria
2002
"20 Million Mexicans Can't be Wrong", South London Gallery, London, UK "Centre of Attraction", The 8th Baltic Triennial of International Art, Contemporary Art Center Vilnius, Lithuania
"Mexico City: An Exhibition about the Exchange Rates of Bodies and Values", P.S.1, Long Island City, New York, USA
"Protest! Respect! - Politik als ästhetische Kategorie", Kunsthalle St. Gallen, Swizerland
"Trans Sexual Express", ATRIUM, A Coruña, Spain
"The song of the pirate", Centro Cultural Andratx, Mallorca, Spain
"Art & Economy", Deichtorhallen, Hamburg, Germany
"Spanish Contemporary Art", Borusan Art Gallery, Istanbul, Turkey
"Trans Sexual Express", Budapest, Hungary
"Loop", P.S.1 Contemporary Art Center, Long Island City, New York
2001
"Marking the Territory", Irish Museum of Modern Art, Dublin, Republic of Ireland
"ARS 01 - Unfolding perspectives", KIASMA, Helsinki, Finland
"Loop", Hypo Kunsthalle, Munich, Germany-travels to P.S.1, Brooklyn, New York
Person paid to remain tied down to a wooden block, "Transsexual Express", Santa Mónica Contemporary Art Center, Barcelona, Spain
Kunsthalle Hanover, Germany
49th Biennale di Venezia, Venice, Italy
Trienal de Barcelona, Barcelona, Spain
"Artistas Latinoamericanos", Salvador de Bahia, Brasil
2000
"Latin America", Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
"PICAF Living the Islands", Pusan, Republic of South Korea
"A shot in a head", Lisson Gallery, London, UK
"EV. A 2000, Friends and Neighbours. The 4th Biennial invited ev. a.", Limerick, Ireland
1999
Concentration of Illegal Workers, BF 15 Gallerys' Stand, FIAC, Paris, France
"No Title",Guatemala
"Representar/Intervenir", X-Teresa Arte Actual, Mexico City
"Parada continua/Frequent Stops", Museo Carrillo Gil, Mexico City
1998
"Made in Mexico made in Venezuela", Art Metropole Gallery, Toronto, Canada
"Cambio II", Sandra Gehring Gallery, New York, USA
"Despues del cuerpo", 127 Gallery, Mexico City
CATALOGUES
Santiago Sierra, 7 Trabajos/7 Works, Lisson Gallery, London, UK, november, 2007. Texts by Pilar Villela,Mariana David, Javier San Martín, Taiyana Pimentel
Santiago Sierra. Texts by Fabbio Cavallucci and Carlos Jiménez.Published for the occasion the special project Una Persona, Galleria Civica di Arte Contemporanea, Trento, Italia
Santiago Sierra, Spanish Pavilion. 50th Venice Biennale, Venice, Italy
Santiago Sierra, Kunsthalle Wien, Wien, Österreich, March, 2002. Interview by Gabriele Mackert
Santiago Sierra. Espreado de poliuretano sobre 18 personas, Claudio Poleschi Arte Contemporanea. Lucca, Italy, March 2002. Text by Pier Luigi Tazzi
Santiago Sierra. Works 2002-1990, IKON Gallery, Birmingham, UK, Februrary, 2002. Text by Katya García-Antón
Santiago Sierra, Galerie Peter Kilchmann, Zürich, Switzerland, March 2001. Text by Taiyana Pimentel
SELECTED BIOGRAPHY
2003
Interviews, Kunsthalle Wien, Triton Verlag, Vienna, Austria. Interview by Gerald Matt
Hardcore - Vers un nouvel activisme, Palais de Tokyo, Éditions Cercle D'Art, París, Francia. Interview by Jérôme Sans
Witness, Barbican Art Center, London, UK
Mexico Attacks!, Chiesa di San Matteo, Associazione Promoteo per l´Arte Contemporanea, Lucca, Italia
M_ARS. Art and War, Neue Galerie Graz, Graz, Austria
2002
Zivot umjetnosti, Institut za povijest umjetnosti, Zagreb, Croatia. Interview by Ivana Keser
Comer o no comer, Centro de Arte de Salamanca, Salamanca, Spain. Text by Carlos Jiménez
Otredad y mismidad, Espacio Anexo a la Galería de Arte Contemporáneo y Diseño, Puebla, Mexico. Text by Ana María Guasch.
20 Million Mexicans Can´t Be Wrong, South London Gallery. London, UK. Text by Cuauhtémoc Medina
Mexico City: an Exhibition about the Exchange Rates of Bodies and Values, P.S.1 Contemporary Art Center, New York, USA
Art & Economy, Deichtorhallen Hamburg. Hatje Cantz Verlag. Ostfildern, Germany. Text by Claudia Spinelli
The Hall of Lost Steps, Borusan Kültur ve Sanat, Istanbul, Turkey. Text by Rosa Martínez
2001
Angst, Kokerei Zollverein, Essen, Germany
Santiago Sierra. 430 personas remuneradas por 7.5 soles la hora, Galería Pancho Fierro, Centro de Artes Visuales,Lima, Perú. Text by Juan Peralta
Políticas de la diferencia. Arte Iberoamericano de fin de siglo, Valencia, Spain - Pernambuco, Recife (Brazil): Consell General del Consorci de Museus de la Comunitat Valenciana-Governo do Estado de Pernambuco. Centro de Convenciones de Pernambuco. Text by Cuauhtémoc Medina.
ARS 01-Unfolding Perspectives, Museum of Contemporary Art Kiasma, Helsinki, Finland
Pay Attention Please, Museo d'Arte Provincia di Nuoro, Olbia, Italia
Trans Sexual Express: A Classic for the Third Millennium, Centre d'Art Santa Mònica, Barcelona, España. Text by Taiyana Pimentel
Comunicación entre las artes. I Bienal de Valencia, Generalitat Valenciana, Valencia, España
Plateau of Humankind. 49 Biennale di Venezia, Venice, Italy. Text by Taiyana Pimentel
Neue Welt, Frankfurter Kunstverein, Frankfurt, Germany
2000
No es sólo lo que ves: pervirtiendo el minimalismo, Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain. Text by Taiyana Pimentel
Leaving the Island, Pusan International Contemporary Art Festival, Pusan, Korea
Puerto Rico '00 [Paréntesis en la ciudad], M&M proyectos, San Juan de Puerto Rico, Puerto Rico